Super long post… grab a coffee first. I am typing this through lunch hahaha…
So far I have circulated my summer mix to ceddy and ben among my friends list only. Both have given me very encouraging feedback. It is my first attempt and I think I may do another one nearer to the end of the year. Some tracks may repeat, while I try and seek inspiration on the ‘feel’ of music should be at the end of the year. Loads of improvement still so I will appreciate feedback. I paid more attention to tracks rather than programming, but in the next one I shall attempt to focus more on the latter, for a smoother ride. Every set is suppose to tell a story. This set tells a story that people wanna hear, rather than what the author wants to illustrate.
For those who have heard it / will be hearing it, the summer mix tells a tale of a quick intro of the main characters giving a hint of who the star players of the story are, building up into the main style and genre of the author(in this case, versatile tribal house which are a favorite of mine). It deviates away slowly from the intro, and transits towards the actual story (with a little latin house) till you find yourself in the middle of the story itself (give it to me, i’m bossy, it’s like that). You know when you are there. The story builds continuously towards the peak of it (umbrella, say it right, aint no other man, we ride, SOS) all, before giving a twist. (a song that you didn’t think I will throw out, but I did towards the last set), and then coming down to a ‘spacy’ and floaty kinda ending. The tempo slows down but in your mind it gives you time to recap and absorb the entire story thus far while you float (born slippy, ride it) before I prep you (wake up a little with a trancey mix of My Love) and ending with the last song.
A lousy writer can lose his/her audience halfway through the book. A good DJ would hopefully be able to retain most of the crowd till close (assuming you do not have to be up early the next day).
However, what makes a good ending? An ending that people want? An ending that the author wants which may not be popular? Or an open ending, inviting the audience to come back for a sequel?
End of the night, did you enjoy yourself? Exhausted, but happy? It was a good night then. Would you wanna read the same book again? Twice? 10 times? 50 times? Probably not 50 times. A story should always be different. Same songs maybe, same style, but you can work the crowd differently. That is how a DJ would get people coming back for more.
DJs can be compared to story writers. Each has their own style, genre, and fans. People recommend a book to someone who is new to the author, and so on and so forth. People who love reading will have at least 1, if not, a few favorite writers in appreciation to the writer’s style. Different styles, for different people. Their best critics, would be people who love their work, but can comment on the areas of improvement. No single work, is perfect.
So when you step into a club, what story do you want to hear? When I first stepped into velvet underground at the ripe young age of.. tada!… 17, I couldn’t understand a thing I heard. And all the zouk/phuture sounds made no sense to me. Think of it as, a romance reader, reading a Sci-Fi book. There are some who will like both, but for a few hardcores like me, we really appreciate selected sounds in a club.
All that changed on Jan 8th 2006. Rohai’s birthday. haha.. after 2 years, someone managed to get me into a gay club, ie, Club Happy. For over 2 yrs I refused to enter a gay club after hearing ‘horror’ stories and many have tried but failed (you would have to knock me out and carry me in literally). This happened around the ‘transition’ between a dog and a prince.. hah hah. And so I entered Club Happy on that fateful night. Like a fish out of water, it took me quite a while to absorb everything in. Wasn’t as bad as I thought. Everyone kept looking at me and I wondered why, and someone whispered “you’re fresh meat that’s why!”. It took a very long time….
All of.. bout 3 minutes! To get through the queue (wow i loved the fact that you don’t queue) and onto the floor. I instantly found my place, with mariah carey and madonna blaring away at the solid sound system (I believe princess ann was at the deck then). When it was time to leave, I almost didn’t want to. Have I found ‘home’?
No other clubs did it for me. Not zouk, not studebaker (who later became venon and CB and gawd knows what else) not New asia bar (top floor, Swissotel), but hello hello, I found what I like to hear.
I don’t know about the rest of you, but if I like a certain author, I would like to learn how to write like the author. On one hand, to appreciate how the author writes even more. ie, to educate the ‘eyes’. You appreciate the immaculate style of putting down a story in words, with the use of certain words, structure, build up etc. On the other hand, don’t we all want to be like our child hood hero one day?
I never wanted to be a pro DJ. It is very hard work. When you are a writer, you MUST write. The publisher doesn’t care if you have ‘writer’s block’. It no longer becomes fun and passion, it becomes work. At least to me. But I have seen many who put fun and work together. I can’t. It destroys the very few passions I have in life. Work is work to me. It is money, food on the table. Passion may not bring in the dough, but that is okay for I do not rely on it to feed me. And I work on it as and when I feel like it.But perhaps one day when the committment level is comfortable, and I am ready, who knows? For now, I have been ‘offline’ far too long.
Anyone can be a DJ. I’ll say it again, anyone can be a DJ. But like most industries, what sets you apart from another DJ? More importantly, in the very small world of DJs, what do your peers see you as? There are many DJs who play in big clubs here. You will probably hear of their names here and there, but they are not very respected in the industry. I give them credit for being able to play in a big club though. Somehow. Through what methods, I do not know. Do the crowd like it? I don’t know. Go stand in the middle of a big club on a Sat night (str8 club please), and of all the people on the floor, see how many appear to know what they are there for. I am not talking about enjoying the music or dancing well or in a horrendous manner. But how many know what they are there for? Not many. It is the branding. To say “I was at zouk and attended DJ xxx’s gig” but they are absolutely clueless what is going on, especially after getting the Long Island Tea jugs.
This is very different from the crowd I see at, say.. MOS in London. These people remind me of the AJ crowd. They know what they like, they know what they are doing, and they do really have outrageous party attire to go along with it. Wow. I don’t appreciate the music, but the crowd truly does, and that makes it perfect.
So back to the question, why is it different here? The culture? Or is it cause people just wanna look good being in a hip club. Or is it because the DJ actually plays crap music, but it is covered up by the big club name.
Ok I am done with lunch, can you believe it? But I still have my kopi peng, so I can still continue…
So after that one night at club happy, I got accquainted with Jansen whom I got to know via a ‘popular forum’. It was the music thread and after all the yada yada, I found myself looking for him in club Why Not. I was also there to look for an ex trainee (NS) of mine who was there too. It was some bubble party that night, mid-end Jan of the same year. I walked in and wow. Totally different crowd. The staff and friendliness stuck onto me cause even back then, Happy was giving crap services, but I always figured clubs are all like that. They appear to hate you for giving them work to do. From the door bitch to the bar tender. You ask for a LIT and he gives you the look like he rather pee in it. Why Not was totally different. Very friendly. I like…
And as we spoke, Jansen shared his experiences as a former pro DJ at clubs along the now defunct Mhd Sultan Rd. After him, there was DJ George, and then DJ Ronnie, and the rest is history.
What makes a great club? A whole collection of things. While the DJ is soul of the party, the theme, the turnout, the location, and the rapport between staff and customers need to be there. No one likes an empty club. And as we explored above, people love to go to big clubs.
Did I mention, the company of friends you go with and the club culture in general? I love AJ clubs. Most are pretty friendly, fights are uncommon. Some may be a little more divaish but I think in general it is a good crowd. A crowd that knows what they like, unafraid to explore new sounds, and they really know how to have fun. From the console, to see the crowd having fun is reward enough for the DJ. Could be nerve wrecking to sustain that though, and not clear the floor, but that is another story.
For the aspiring DJs, I’ll say, do not be afraid, be patient, and persevere. When I was 9, I wanted to be a radio DJ. Yes, since I was 9. I recorded voice overs on my own, I learnt stuff on my own. It took me 12 years, till I was 21 before I got my break and explored more on this side. I am happy to say, I have explored both sides of the term DJ. And there’ll be more I’m sure.
But for now I am done with my kopi peng. I have probably lost half my audience through my rambling here haha. You were warned!